"Piazza, New York Catcher," by Belle & Sebastian Elope with me Miss Private and we’ll sail around the world I will be your Ferdinand and you my wayward girl How many nights of talking in hotel rooms can you take? How many nights of limping round on pagan holidays? Oh elope with me in private and we’ll set something ablaze A trail for the Devil to erase San Francisco’s calling us, the Giants and Mets will play Piazza, New York catcher, are you straight or are you gay? We hung about the stadium, we’ve got no place to stay We hung about the tenderloin and tenderly you tell about The saddest book you ever had to read always makes you cry The statue’s crying too and well he may I love you I’ve a drowning grip on your adoring face I love you, my responsibility has found a place Beside you and strong warnings in the guise of gentle words Come wave upon me from the family wider net absurd “You’ll take care of her, I know it, you will do a better job” Maybe, but not what she deserves Elope with me Miss Private and we’ll drink ourselves awake We’ll taste the coffee houses and award certificates A privy seal to keep the feel of 1960 style We’ll comment on the decor and we’ll help the passer by And at dusk when work is over we’ll continue the debate In a borrowed bedroom virginal and spare The catcher hits for 318 and catches every day The pitcher puts religion first and rests on holidays He goes into cathedrals and lies prostrate on the floor He knows the drink affects his speed he’s praying for a doorway Back into the life he wants and the confession of the bench Life outside the diamond is a wrench I wish that you were here with me to pass the dull weekend I know it wouldn’t come to love, my heroine pretend A lady stepping from the song we love until this day You’d settle for an epitaph like 'Walk Away, Renee' The sun upon the roof in winter will draw you out like a flower Meet you at the statue in an hour Meet you at the statue in an hour |
"Show me how to lie
You're getting better all the time And turning all against the one Is an art that's hard to teach Another clever word Sets off an unsuspecting herd And as you step back into line A mob jumps to their feet" |
"Delicate," by Damien Rice We might kiss when we are alone When nobody's watching We might take it home We might make out when nobody's there It's not that we're scared It's just that it's delicate So why do you fill my sorrow With the words you've borrowed From the only place you've known And why do you sing Hallelujah If it means nothing to you Why do you sing with me at all? We might live like never before When there's nothing to give Well how can we ask for more We might make love in some sacred place The look on your face is delicate So why do you fill my sorrow With the words you've borrowed From the only place you've known And why do you sing Hallelujah If it means nothing to you Why do you sing with me at all? So why do you fill my sorrow With the words you've borrowed From the only place that you've known And why do you sing Hallelujah If it means nothing to you Why do you sing with me at all? |
Gavin Rossdale - Love Remains The Same "A thousand times I've seen you standing gravity like a lunar landing make me want to run till I find you shut the world away from here, drift to you, you're all I hear everything we know fades to black half the time the world is ending, truth is I am done pretending I never thought that I had any more to give pushing me so far here I am without you drink to all that we have lost, mistakes that we have made everything will change, love remains the same" Lifehouse - Take Me Away "This time what I want is you there is no one else who can take your place this time you burn me with your eyes you see past all the lies you take it all away I've seen it all and it's never enough it keeps leaving me needing you" |
Forever and Ever Amen - Randy Travis
They say that time takes its toll on a body Makes the young girls brown hair turn grey But honey, I don't care, I ain't in love with your hair And if it all fell out well I'd love you anyway They say time can play tricks on a memory Make people forget things they knew But it's easy to see it's happening to me I've already forgotten every woman but you --- Oh darlin' chorus...... Just listen to how this song ends I'm gonna love you forever & ever forever & ever Forever & ever Forever & ever Amen *In my best Country Voice, "I Feels like a little bit of that Jack Daniel and a touch of dat Lawndre Cons!! HeeHAW!! And this ain't about YOU either...I mean well maybe." |
What's The Use Of Wond'rin' - Amanda Palmer feat. Annie Clark What's the use of wond'rin' If he's good or if he's bad? Or if you like the way He wears his hat? What's the use of wond'rin' If he's good or if he's bad? He's your fella, and you love him That's all there is to that Common sense may tell you That the ending will be sad And now's the time To break and run away But what's the use of wond'rin' If the ending will be sad? He's your fella, and you love him There's nothing more to say Something made him the way he is Whether he's false or true And something gave him the things that are his One of those things is you So when he wants your kisses You'll give them to the lad And anywhere he leads you You will walk And anytime he needs you You'll go running there like mad You're his girl, and he's your fella And all the rest is talk |
Quote: Originally posted by Aerilia
"Agenda Suicide" by The Faint You could follow logic Or contest it all The work solution makes the common house a home The element of progress That you mention is gone It de-evolved to something you were headed toward As i lay to die the things i think Did i waste my time, i think i did I worked for life All we want are just pretty little homes Our work makes pretty little homes Like a cast shadow Like a fathers dream Have a cut out son What's a worse disease To get that pretty little home As i lay to die the things i think I don't want to regret what i did- and work for life All we want are just pretty little homes Our work makes pretty little homes Agenda suicide The drones work hard before they die And give up on pretty little homes (like a cast shadow) Our work makes pretty little homes Our work makes pretty little homes Agenda suicide, the drones work hard before they die And give up on pretty little homes |
"We Looked Like Giants," by Death Cab For Cutie. God bless the daylight, the sugary smell of springtime Remembering when you were mine In a still suburban town When every Thursday I'd brave those mountain passes And you'd skip your early classes And we'd learn how our bodies worked. God damn the black night with all its foul temptation I become what I always hated When I was with you then We looked like giants in the back of my grey subcompact Fumbling to make contact As the others slept inside And together there In a shroud of frost, the mountain air Began to pass from every pane of weathered glass And I held you closer than anyone would ever get Do you remember the JAMC? And reading aloud from magazines I don't know about you but I swear on my name they could smell it on me I've never been too good with secrets. No... And together there In a shroud of frost and mountain air Began to pass through every pane of weathered glass And I held you closer... |
Just heard this song on the radio. I has reference to Star Trek "Star Trucker" by Slim Dusty (he's an Aussie) Well now you see that feller in the Louieville he's got a mighty fine opinion of his drivin’ skills Give him half a chance and he’ll bash your ear Tell you how good he is!! He can drive all night and he can drive day And still be on the ball or so he’ll say But I can share a little yarn about his claim to fame He’d rather not talk about It was on the Newell highway in July last year Somewhere after midnight it was cold but clear I see this big rig parked in the middle of the road Lit up like a Christmas tree!! Well you can well imagine I expected the worst So I thought I'd take a look in the cabin first Then I see you know who by the side of the road Standin’ there starin’ at the stars and yellin’ “Beam me up Scotty im’a ready to ride To take my place at the helm of the Enterprise And boldly go through those starry skies Hey I've proved my worth down here on earth I'm a star trucker, star trucker it's time for me to go interplanetary I'm a star, star trucker “ Guitar Solo I gotta tell you boys it took me by surprise To see the crazy look in that poor blokes eyes And when he sees me comin’ he starts to scream “Klingons off the starboard bow” Then I have this flash on how to make it work I said “Son, it's not the Klingons, it's Captain Kirk” He says “Sorry Captain it's been a hell of a day” And I just, can't, push, it any harder So beam me up Scotty im’a ready to ride To take my place at the helm of the Enterprise And boldly go through those starry skies Hey I've proved my worth down here on earth I'm a star trucker, star trucker And it's time for me to go interplanetary I'm a star, star trucker Star, star trucker "Makin' A Mile", 1997 |
"Come And Find Me," by Josh Ritter. If I could trace the line that ran Between your smile and your sleight of hand I'd guess that you put something up my sleeve Now every time I see your face the bells ring in a far-off place We can find each other this way I believe From the hills and up behind, my town is naked from the horizon down The curvature is pressed against the raise We walked up in the fields alone And the silence fell just like a stone That got lost in the wild blue and the gravel grey Come and find me now Though I'm here in this far off place My air is not this time and space I draw you close with every breath you don't know it's right until it's wrong You don't know it's yours until it's gone I didn't know that it was home ‘til you up and left Come and find me now I keep you in a flower vase With your fatalism and your crooked face With the daisies and the violet brocades And I keep me in a vacant lot In the ivy and forget-me-nots Hoping you will come and untangle me one of these days Come and find me now |
"Control"
They send me away to find them a fortune A chest filled with diamonds and gold The house was awake With shadows and monsters The hallways they echoed and groaned I sat alone, in bed 'til the morning I'm crying, "They're coming for me" And I tried to hold these secrets inside me My mind's like a deadly disease I'm bigger than my body I'm colder than this home I'm meaner than my demons I'm bigger than these bones And all the kids cried out, "Please stop, you're scaring me" I can't help this awful energy Goddamn right, you should be scared of me Who is in control? I paced around for hours, on empty I jumped at the slightest of sounds And I couldn't stand the person inside me I turned all the mirrors around I'm bigger than my body I'm colder than this home I'm meaner than my demons I'm bigger than these bones And all the kids cried out, "Please stop, you're scaring me" I can't help this awful energy Goddamn right, you should be scared of me Who is in control? I'm well acquainted With villains that live in my bed They beg me to write them So they'll never die when I'm dead And I've grown familiar With villains that live in my head They beg me to write them So I'll never die when I'm dead I'm bigger than my body I'm colder than this home I'm meaner than my demons I'm bigger than these bones [2x] And all the kids cried out, "Please stop, you're scaring me" I can't help this awful energy Goddamn right, you should be scared of me Who is in control? |
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